Back in 2006, writer John August wrote (and presented) a really great talk called “Professionalism and the Rise of the Amateur.” It drew on his own experience as a writer, but it could be applied to other jobs — basically, anywhere where you’re trying to be “professional” — and what that word means, really. Well, lots of things have happened since then, as he recounts as he revisits and expands (and corrects) some of those…
Max Headroom is one of those series I definitely need to rewatch, as it feels like it’s disturbingly more prophetic than we’d like these days. Bryan Bishop over at The Verve has put together a lengthy oral history of the show and pop culture phenomenon. Check it out!
This past weekend, I was talking about the National Theater Institute of which I am quite a happy alumnus. They practice a maxim of “Risk. Fail. Risk again” which is kind of like the positive spin of the War Boys’ outlook in Mad Max: Fury Road. Same flamethrower guitars (metaphorically), less desolation. But that’s all artsy stuff, what about science? This is where David Noonan writing in Scientific American comes in. Apparently, some folks did…
If you’ve checked out any of the anthology series “Short Treks,” you’ll know the arguable standout thus far is the first season’s “Calypso” co-written by Michael Chabon. Chabon, probably better known to many as an award-winning novelist, also wrote this season’s “Q&A” and is the showrunner for the forthcoming Star Trek: Picard. When I saw a behind-the-scenes photo of Chabon and the Vasquez Rocks (a popular Hollywood “exotic” filming location and one very storied for…
Perhaps it’s because NaNoWriMo is nigh, but I found this piece in Wired about exploring and expanding the notions of “must read” works interesting. (I’m currently trying to fold in a bit more reading each day).
Just last month I was musing about how, even in the face of “nerddom’s” ascension in all aspects of pop culture, people still feel the need to belittle or otherwise distance themselves and their work from science fiction as if the genre itself was wildly radioactive. Now, in the face of a more meditative and gritty look at the origins of Joker –with more than a few homages to Martin Scorsese’s films– Scorsese himself felt…
I stumbled across this longer article from BBC Scotland going into the impact of the Vikings last year, well after Leif Erikson Day and thought, “Why not use it for later?” And so I scheduled it for far in the future, much as my Norwegian ancestors put up blog posts and salt cod for later use.
I’ve never been to a Worldcon, but I’m thinking I ought to for when it’s in my backyard. George R. R. Martin, however, has been to just about every Worldcon he could for several decades running. This year’s WorldCon is in Dublin, so the Irish Times caught up with him and he mused on WorldCons and fandom and all sorts of things. If you want more of Martin musing on his career and art, you…
The other week, I mused about giving your young’uns a steady diet of scares, inspired in part by reading an article by artist Greg Ruth. Well, as probably comes as no surprise, Ruth also has some thoughts about the eternal struggle to make a living from one’s creative work and yes, it’s naturally pertinent to illustrators, but I think his points should resonate with writers as well. By the way, if you want to check…
After Wednesday’s post that focused a great deal about how to curate one’s persona online, I was surprised that I hadn’t written at length about Jenny Odell and her efforts to help people curate their involvement in the “attention economy.” I’ve found the article bears repeat reading, because there’s so many different ideas it raises and so much that you, personally, need to reflect on. And yes, I mean need. At its core, and related…