Okay, so what with streaming services, shorter TV seasons, and season premieres popping up whenever there’s a quiet moment, this list from the Hollywood Reporter doesn’t carry the same import, but I still find it interesting look over what’s been renewed, what’s ending, and what’s precariously on the bubble in terms of TV shows.
Somewhat riffing off my post from Wednesday, I’m once again considering our current golden age of television (aka Golden TV Age II: Serial Storytelling Boogaloo). There’s so much great television to check out, there are whole series that have come and gone that I haven’t gotten to yet. Alison Herman over at The Ringer delves into what this means for science fiction –and “genre fiction” in general– as they hold greater sway over pop culture on…
Columnist Chris Erskine has a humorous, but not inaccurate assessment of the state of the venerable spec script: the thing Hollywood doesn’t like at all…. until it loves it. I really want to see the Scriptnotes crew comment on this.
So now that summer is over, including that show with the dragons, you may be wondering, “What shows are actually coming back this year?” Jen Trolio and Caroline Framke over at Vox have answers. This is one of those perennial Vox pieces I’m glad they do every year, because there’s a lot of shows. In fact, some might say there’s a glut of shows out there, which has led to occasional questions of whether we’re…
Every summer –for at least a decade or more– the Hollywood film industry has been doomed. I would imagine they must get sick of all the doom, what with being doomed with the advent of television, the disintegration of the studio system, the rise of VCRs and video stores, online streaming, streaming services like Netflix making their own content — and possibly avocado toast. Nevertheless, within the traditional ‘doom’ narrative, there may be trends, so…
Netflix, via its movie premieres at the celebrated Cannes Film Festival, has gotten a resounding, “Non!” (no) from the famously film-loving French. Well, at the very least there were boos. Jordan Zakarin has a piece in Inverse from last Friday about how this really reflects on Hollywood more than Netflix. Essentially, Netflix is making a bet on films Hollywood no longer wants to (because they’re so enamored of franchises and tentpole films). Alissa Wilkinson has a piece in Vox from yesterday…
Following the film industry is something I do frequently enough to merit a tag. One article in Wired, by K. M. McFarland, that particularly caught my notice last July noted how the expensive fantasy epic Warcraft did miserably in the United States, yet comfortably in the rest of the world. So now we have an article by Todd VanDerWerff in Vox that also explores that divide between the U.S. and global box office. Look at those lists…
Growing up in the DC area, my dad made full use of all the free film series places like the National Archives, Library of Congress, and East Gallery would provide. And, of course, he’d take us along. It was at these places that I first saw such classics as To Kill a Mockingbird, Fort Apache, and Gone with the Wind. “It was TCM before TCM,” I explained. Earlier this week, the man who epitomized Turner…
David Sims has a longer piece in The Atlantic about how Martin Scorsese’s next film, which sounds very much in the tradition of his gangster epics Casino and Goodfellas, will be coming from… Netflix? I’ve read several pieces about this news over the past few days and all of them mark how this seems to herald a change — but this piece goes a bit more in-depth in terms of what this might mean or…
Now that Labor Day has past, we’re officially out of Summer, those who are wont to assess how the film industry did during its summer blockbuster season don’t need to wait to write what many were already musing about in early August: this year has been terrible. Vox’s Todd VanDerWerff details this in the site’s Winners/Losers style in a method that’s very focused on the facts of what did well and what didn’t (many articles…