I touched on notions of fandom with my Crisis of Infinite Star Treks series and certainly toxic fandom has been more on people’s minds in the past year or so in any case (see, for example, these pieces on CNET and in Wired). So it was interesting to read Ryan Britt’s piece in Den of Geek talking with the writers of So Say We All, a new book about the Battlestar Galactica remake… including the…
For this Labor Day, a day where many of us are sure not to labor, it somehow seems appropriate to share this piece by Mark Marino about how to have more joyous writing exercises. Sounds like pretty good motivation to me.
As something to shake things up with your writing, consider this piece on “still eating oranges” I see pop up from time to time. It’s about Kishōtenketsu, a storytelling structure familiar in many Asian narratives. The article here focuses a lot on how it’s different from the Western focus on conflict, but I think it’s also worth looking at simply for the notion of the third act twist. Within a given narrative, say a narrative chock…
I was a screener for a film festival recently. It’s something I’ve done before many times — and just like writers reading a lot of others’ writing, watching a lot of films can give you perspective on both what you want to do and what you don’t want to do as a filmmaker. As you might imagine, a screener’s job is partly to vet films. You’re trying to score all the submissions to see which…
Just as the fictional Felix Unger asserted his inability to do impossible cooking tasks, so too would Neil Simon probably protest any prowess at writing, but let’s be honest. If writing were cooking, Neil Simon was the magic chef of scriptwriting. (The idea of Neil Simon being a figment of his fictional creation’s imagination seems like the fun neurotic thought to occupy one of Neil Simon’s characters.) And if you recall my piece on Sam…
Since it’s “Shark Week” here on my blog, I thought it would only be appropriate to share this wonderful retrospective from Aja Romano over on Vox about our ongoing love affair with all manner of shark movies. I mean, you may recall that I love creature features and shared an excellent resource with which to follow up on them. Therefore, I offer this article as a targeted way to catch up on your movies with…
I will leave it to you to determine whether I am one of the sharks or am merely swimming with sharks, but I will be at a “Shark Tank for Filmmakers” event this Saturday out in the wilds of Northern Virginia, where the passenger jets roam. The event is organized by fellow filmmaker Ron Newcomb, who has been tirelessly working on building the narrative film community in the DC region pretty much since I’ve known…
Ah, film festivals. Getting into one is always gives a good sense of validation to a filmmaker — and the best are a delight to attend as both filmmaker and audience member. But what if your film doesn’t make it in? I’ve known Jon Gann for most of this century and I know all the work he’s done in creating, improving, and advising film festivals. So when I saw he wrote a pair of articles about why films don’t get…
Okay, I’m double-dipping here, because we posted the same links on the Jabberwocky Audio Theater website today. However, it’s not only a busy week, but I’m coming off of recording the first season of Quorum, so I’ve got voiceover artists on my mind. And really, when isn’t a good time to check out Paul Frees’ demo tape? It feels wrong to call him “inimitable,” because not only do people imitate him, Frees was a master…
Not unlike business plans, it seems like one needs to have a “social media plan” these days. In the past year, many people I know have abandoned Twitter or left Facebook or joined Instagram. And I seem to be in the midst of that periodic flurry of people following me on Twitter or giving me a long treatise about why they want to connect with me on LinkedIn. So for future edification, but mainly for…