My now annual post about the Public Domain continues to a noticeable amount of traffic and I continue to find additional resources post-January 1st, so here’s two more. First is a video from energetic book-lover Jenny Fern whose 16-minute video about books entering the public domain. She is candid about not knowing some of the authors or characters at all, so don’t be hatin’ on someone who doesn’t know about Miss Marple, and enjoy this…
“Supercuts” are always fun and supercuts of a past year’s films are a fine tradition to uphold. For over a decade, I’m enjoyed the meticulously crafted montages by David Ehrlich, a film critic and, as quickly becomes apparent: wholly unrepentant cinemaniac. His tastes and judgment on films are as varied as they are unexpected, paired beautifully with a veritable mixtape of a soundtrack that grabs you as much as it startles you. Basically, one minute…
It probably doesn’t surprise readers, given my posts during Banned Books Week, that I like libraries and bookstores. And while I favor independent and used bookstores when I can (and usually get my books online from Bookshop.org), I have visited various Barnes & Noble stores on several occasions in recent memory. So I was interested to learn that they’re doing well, even in this age of “is anybody reading?” On one level, I am amazed…
Statistically speaking, some of you made some new year’s resolutions regarding writing, but what if you’re finding that difficult? Dennis Palumbo is a screenwriter-turned-therapist I’ve referenced before on this blog (see this one about getting notes on your script and this interview with veteran screenwriter Ken Levine). Well, there’s three more articles I can share, ones he wrote for the Psychiatric Times last fall — and ones that might help writers figure out their author…
Okay, so maybe I should have saved the image above for a post entitled “The Theological Implications are Staggering!” — which many classmates may recall me uttering, but in my web travels, I came across this graph which I shall ponder. Ponder, I say! And no, it’s not that they misspelled Anton Chekhov‘s name. It’s the internet, I’ve almost come to expect such things. But if this is not philosophically diverting or comic for you,…
Filmmaker and singular artist David Lynch died on January 15, 2025, just days before today, what would be his 79th birthday. You can read obituaries and remembrances from: Variety also has a collection of remembrances from Steven Spielberg and others about Lynch and the Hard Times has an appropriately satirical take on Lynch’s passing. As fate would have it, the first David Lynch film I saw was his least favorite, if for no other reason…
Thinking of Saturday’s post, when it comes to writing implements, one shouldn’t be limited to pens of course, but for writers (vs. illustrators) I can’t recall scribes being as agog about pencils these days (I may be wrong, send links!). However, when it comes to markers, Sharpies have not only become ubiquitous when someone reaches for “a marker,” but they come in more colors than Oreos have flavors, i.e., slightly less than the number of…
I forgot to post this over the holidays, but this appreciation of the humble Pilot G2 by Trishna Rikhy for Esquire is one I fully endorse. Yes, being a gel pen means you need to not be impatient for a second or two while the gel ink dries, but I adjusted to that decades ago when I first made the switch from scratchy ballpoint to this smooth-gliding wonder and I have no regrets. In truth,…
I think I’m going to need to expand my list of usual suspects for 2026, because there’s two more public domain pieces I want to share beyond the resources shared yesterday. First is an article, with plenty of audiovisual samples, by Ellen Wexler for Smithsonian Magazine. As you might imagine, the Smithsonian is very into collections, culture, and curating. Here, Wexler relies in part on Jennifer Jenkins, and the Center for the Study of the…
Happy New Year! One of my favorite new traditions since 2019 has been noting all the creative works that enter the public domain here in the United States every January 1st. For this year, 2025, that means creative works first published in the U.S. in 1929 as well as sound recordings from 1924. There’s a host of caveats and, of course, U.S. copyright is different from other parts of the world, often markedly so. That’s…