Continuing on the topic of producing films from Monday’s post on film budgets, what do you do when you –miracle of miracles– finish the film? Well, you want to get it distributed, of course! And, just as I want more than theoretical notions and generalizations for distribution, I want to know who likes to acquire what — and as much of their terms and conditions can be shared. So over at the site Dear Producer,…
One wonky thing I’m endlessly fascinated by is film budgets. When you realize that an hour of modern “prestige” TV can top $10 million, yet the average Hollywood blockbuster is over $100 million, you know certain choices are being made and risks accepted. And yes, I know traditional theatrical distribution and traditional network and cable distribution have business models that can inform and support these widely disparate budgets. However, I lap up little tidbits from…
Last week, I got confirmation that Jabberwocky Audio Theater has a thumbs up to do a live performance at the Museum of Science Fiction‘s annual science-expo-meets-pop-culture-convention, Escape Velocity! Escape Velocity 2019 Promo from Museum of Science Fiction on Vimeo. We had a chance to do a live performance of War of the Worlds last year which was well received (and a lot of fun to do as well). We don’t know the exact date and time of our performance –it’ll be…
A lot of my efforts these past few months have been working on building the audience for Jabberwocky Audio Theater. Frankly, a great way to do that is with a giveaway. As recipients of the JAT Mailing List know, JAT is running a second giveaway during this “pledge drive period” between our seasons. This time, we’re focusing on Firefly, which more than a few listeners have compared my space opera, Rogue Tyger to. What can…
I’ve enjoyed more interactive theater for a long time, whether it’s traditional audience response (applause/boos/hisses) or more modern breaking of the fourth wall or simply the immediacy of staging a show “in the round.” I’ve often thought about staging a play for our local Fringe festival whose outcome is decided by the audience… perhaps after they’ve weighed in on several decision points. I thought about those ideas again when I read a piece by Alysia…
While this is really more of a Team Jabberwocky thing, specifically Jabberwocky Audio Theater, it’s time to put on my marketing hat which is, by its very nature, mad! Regular readers may recall that we did a Doctor Who giveaway last year and we’ll do a few more this year: all to help build an audience for Jabberwocky Audio Theater. You may also remember that I’ve occasionally mentioned the work of Russell Nohelty on behalf…
We haven’t had a wonky Wednesday in a while, have we? All right, so let’s tackle something that affects businesses big and small. In fact, it affects families, too. How many times have there been “too many things” to do or deal with in a week? As it happens, I deal with project selection at work — and it makes me long for the family-based stuff. Why? The number of players involved in “what to…
I will leave it to you to determine whether I am one of the sharks or am merely swimming with sharks, but I will be at a “Shark Tank for Filmmakers” event this Saturday out in the wilds of Northern Virginia, where the passenger jets roam. The event is organized by fellow filmmaker Ron Newcomb, who has been tirelessly working on building the narrative film community in the DC region pretty much since I’ve known…
Ah, film festivals. Getting into one is always gives a good sense of validation to a filmmaker — and the best are a delight to attend as both filmmaker and audience member. But what if your film doesn’t make it in? I’ve known Jon Gann for most of this century and I know all the work he’s done in creating, improving, and advising film festivals. So when I saw he wrote a pair of articles about why films don’t get…
Netflix is spending billions of dollars each year on content, so –love ’em or hate ’em– it’s usually good to know what they’re up to. Adam Levy, over at the Motley Fool, has a piece that goes over Netflix’s drive to spend billions in creating original content is actually trying to save money in the long run (even if Fools don’t think Netflix is going to be truly “50% originals” as sometimes reported). For indie filmmakers, definitely check out…