While I was covering the WGA and SAG-AFTRA strikes last year, an obvious question for a follow-up was what the future of Hollywood would be. While there’s certainly been a lot of pieces since the end of the strikes, one of the conversations I found that touched on this was with Adam Conover on his Factually podcast. It’s from August of last year, arguably during the height of the strikes. I actually linked to it…
So, the actors’ union, SAG-AFTRA, approved a tentative agreement with AMPTP on November 8th, but the agreement has yet to be ratified by the membership and there appear to be a lot of questions about how AI is being dealt with (actors’ concerns being similar yet different in some important regards than writers). So I’ll plan to write something post-ratification (and yes, the presumption is that the agreement will be ratified). But the ratification vote…
Like many, many other people, I had hoped that the end to the WGA strike would lead to a quick negotiation with SAG-AFTRA in its wake. Unfortunately, the AMPTP has evidently walked away from the negotiating table because learning nothing is… a power move? I’m not sure. Anyway, I am already speculating on what the future will bring, because even though we’ve heard a lot about how streaming isn’t the most lucrative business model ever…
Evidently, meetings will resume between the WGA and AMPTP staring tomorrow, Wednesday, September 20th, so just a few things to update from the Strikes. “Hot Strike Summer” continues to radiate heat throughout the film industry and beyond. The studios suspended some development deals with more established writers, some of whom were about to meet with the studios before the main WGA/AMPTP meeting was announced. Related to labor organizing Marvel VFX artists have been feeling the…
We’re at the end of Summer with the start of Labor Day Weekend, we’re well over 100 days into the WGA strike, and we do have some developments since both strikes began. But before I get to that, I should cover what hasn’t changed. It’s still a puzzler as to why the companies haven’t settled considering what is being asked. AMPTP, the group representing the companies (both the traditional studios like Paramount and the streamers…
I’ve been fortunate enough to record parts for several audio fiction pieces this year and the first one to drop hits me right in the vintage radio feels. It’s a great reworking of a episode of Escape starring perennial Gunsmoke voice actor and the iconic Paladin of Have Gun, Will Travel, John Dehner. Escape is one of my favorites of those old shows and is similar to the more long-running, better known anthology show Suspense.…
More people than I expected read my Thursday update about the WGA/SAG-AFTRA strikes, so I figured I should do a brief follow-up. For one, I didn’t read the Deadline article closely enough as it turns out the WGA and AMPTP were just meeting about meeting (I’ve made a correction to the Thursday post as it’s still getting some clicks). Sadly, but not unexpectedly, the meeting did not result in agreeing to resume negotiations. In the…
So, it’s August and both the screenwriters and the screen actors are still striking. The WGA is meeting about returning to the negotiating table this Friday, but that doesn’t mean their strike is ending and, at the time of me writing this, there’s no news on AMPTP talking with SAG-AFTRA (though per that article, they’d be happy to). I’ve gone back and tagged all my relevant posts about the strike(s) for ease of reference, but…
As of Thursday, July 13th, SAG-AFTRA is on strike, joining the WGA, which has been on strike since the beginning of May. Considering I posted about that strike, it made sense to post about this as well, but boy howdy has there been a lot in the past 10 days or so. In terms of overall covereage, Alissa Wilkinson, over at Vox, has one of their excellent explainer articles. Kim Masters and Matt Belloni banter…
I am still following accounts of the Writers’ Strike, which looks like it’ll be a long one, but while you can continue to check out information, like the Strike Diaries from the Hollywood Reporter, for today, I wanted to just post about film, specifically a great example where writing, performance, and fight choreography comes together beautifully. I’m talking about the climactic duel in the 1956 comedy The Court Jester. I love the duel because, as…