I’m always interested in different people’s writing processes, including how they balance non-writing. Okay, I should probably specify productive non-writing. It’s pretty easy to procrastinate and not write. Novelist Vincent Zandri has an interesting approach that I’ve heard from other writers in how they approach the business of writing by being very definite about both the writing part and the business part. I appreciate the level of detail.
Still thinking of the Oscars this week and I came across this piece in Forbes which mentions a small coup in terms of credits. You see, for the longest time, the iconic character of Batman was credited pretty much only to Bob Kane, when in fact, that particular caped crusader was not a solo act. In fact, there’s a Bill Finger award that has been established specifically to recognize comic book writers whose work in…
I don’t usually have much to say about the Oscars, but I do love checking out all the nominated shorts and this year’s winner for best animated short is just, well, check out Hair Love:
I’ve been musing on the old –and to my mind, inaccurate– advice to “write what you know” and I’ve been meaning to write a post about it. But in the meantime –and perhaps for the better– how about I just link to a piece by novelist (and occasional Tohubohu screenwriter) Barry Lyga? There’s a whole lot of nuggets in here, but I won’t spoil them for you. Suffice to say I agree with a lot…
I guess this is turning out to be the week that my eye keeps catching articles about streaming services, given Monday’s post. Yesterday, Peter Kafka over in Vox mentions how Disney+ now has over 28 million subscribers. While that’s nothing compared to Netflix’s well-above 160 million subscribers, it is impressive on top of its already impressive debut in November with 10 million subscribers. It also makes Disney’s stated goal to get to 60-90 million subscribers…
I know I’m not the only one who’s noticed how much content seems to be slipping away from Netflix as more and more companies take their metaphorical Matchbox cars and go home. And by “home,” I mean “create their own streaming service.” Rani Molla, writing in Vox, goes into how Netflix is trying to do more with less content, including more subscribers and more awards. The article itself covers a number of topics, including how…
This week, I joined the Streaming Nonsense crew in their mission to review lesser known films available online. This time, we looked at The Velocipastor. Is it everything you want from a disillusioned-priest-becomes-dinosaur-and-fights-ninjas movie? Give a listen.
The New York Public Library (NYPL) released a list of its most checked out books in its 125 year history (it was founded in 1895). Coming from a family that includes librarians, archivists, and avid history readers, this was delightful news. I learned about it as the NPR story covering it was shared widely among my social media channels. One curious note in the NYPL release: an honorable mention for Goodnight Moon, which I suppose…
I haven’t been in a stage production for an age, but I was both on stage and backstage enough times to lose count — and I was a theatergoer long before that. So I greatly appreciated Mark Evanier sharing actor, director, and all-around theatrical Larry Blyden‘s theatrical laws. Laws, do you hear? Okay, to be honest, I haven’t always followed Law #5 or Law #10, but I definitely do my best with Law #17. Law…
I’m going to do one last post looking forward to this Thursday’s launch of Star Trek: Picard. The first link is to an excellent article by David Itzkoff in the New York Times about the future of Star Trek. It covers similar ground as my last Crisis of Infinite Star Treks post, but, you know, it’s a journalistic feature article with first-person interviews vs. my Internet-based observations, so I think many of you will find…